Erase the Patriarchy now available for preorder!

Erase the Patriarchy is now available for preorder from University of Hell Press! This book is printed in full color and is absolutely gorgeous. It was an honor to curate this anthology of erasures of historical documents, apologies, public statements, and news stories from the US and across the globe.

Thanks so much to our contributors for sending such fantastic work:

Ashely Adams, Amy Ash, Victorio Reyes Asili, Andrea Avery, Stacey Balkun, Iris Miriam Bloomfield, Chelsea Margaret Bodnar, Meghann Boltz, Liz Bowen, Tara Shea Burke, sally burnette, Tara Campbell, Zann Carter, Shane Jesse Christmass, Caitlin Cowan, Krista Cox, Laura Desiano, Deborah Fass, Caren Florance, Kegan Gaspar, Sarah Gerard, Callie Gill, Tracy Gold, Elisabeth Mehl Greene, Meg E. Griffitts, Raye Hendrix, C.M. Mildred Kabik, Joel Larson, Katie Manning, Christopher Martinez, Kate Middleton, Ash Miranda, Rachel Anna Neff, Genevieve Pfeiffer, Marcella Prokop, Adra Raine, Sarah Lyn Rogers, Maggie Rosenau, Ki Russell, Elizabeth Schmuhl, Jerrod Schwarz, kip shanks, Melinda Smith, Kitty Stryker, Rachel Sucher, Addie Tsai, Joanna C. Valente, Jodi Versaw, Alex Vigue, Tyler Vile, Emily Walling, Logan K. Young, Abigail Zimmer

Paperback edition of ALL THIS CAN BE YOURS now available for preorder!


The paperback edition of all this can be yours is now available from University of Hell’s website! Orders will ship by the end of December, and the book will be in bookstores nationwide in April.

The hardcover edition is also still available to order and will ship in time for Christmas!

Through all this can be yours, poet Isobel O’Hare reveals the truth behind apology statements made by powerful men—in effect reversing what these men have done to their victims. By shrinking abusers and their fraught stories of what did or didn’t happen, what they did or didn’t mean, see, expect, or believe, O’Hare, equipped with intention and a Sharpie, opens the wider conversation of necessary systemic change.

“Isobel O’Hare calls this remarkable project erasure, but I would call it redaction. Only it subverts that political tool by blacking out in these testimonies all that is—finally—anodyne, to expose the most sensitive information, or rather, to let the abusers expose themselves. Brilliant! We need such radical poetic methods to change the discourse around sexual abuse. And we need poets like Isobel O’Hare. all this can be yours slyly fulfills its promise.” —Jody Gladding, poet and author of the spiders my arms (Ahsahta Press)

all this can be yours: available for preorder!

My book, all this can be yours, is available for preorder from University of Hell Press and will ship by the first week of April! This is a limited edition hardcover copy of the book, and all proceeds go to RAINN and Futures Without Violence.

“Isobel O’Hare calls this remarkable project erasure, but I would call it redaction. Only it subverts that political tool by blacking out in these testimonies all that is—finally—anodyne, to expose the most sensitive information, or rather, to let the abusers expose themselves. Brilliant! We need such radical poetic methods to change the discourse around sexual abuse. And we need poets like Isobel O’Hare. all this can be yours slyly fulfills its promise.” – Jody Gladding

Call for Submissions: Erase the Patriarchy

A couple weeks ago I started blacking out celebrity sexual assault statements/apologies. You can see some of the results here and read an interview about it here. The project unexpectedly went viral, and University of Hell Press will publish a collection of my erasures, titled all this can be yours, in February (with proceeds going to RAINN and Futures Without Violence).

The best thing about making these erasures has been watching other people come up with their own, either of the same statements or of other documents written by men in powerful positions who have in some way abused that power. I thought, what better way to continue this project than to invite y’all along with me? Erase the Patriarchy is the result of that thought process.

Erase the Patriarchy will be an anthology/manifesto of feminist redaction, to be published by University of Hell Press. Submissions from men will be considered, but preference will be given to women, non-binary, and LGBTQIA writers.


  • Submit 1-5 erasures of a statement, apology, speech, and/or other document, whether contemporary or historical. Feel free to submit multiple erasures of the same document or 5 erasures of 5 different documents. Original documents do not need to have been written by men; the important thing is that you are erasing the words of someone who has abused their power in some way that further marginalizes already marginalized people.
  • Approach your erasures visually, and be imaginative in their execution. Poets have done erasures with glitter, paint, pen and colored pencil, sharpies and whiteout, and if you’re Tom Phillips, whatever you can get your hands on.
  • If your piece is accepted, you’ll be asked to send a process statement to accompany it. This statement should be between 100-250 words and give details on the text/author you chose and what the goal of your redaction is (to reveal hidden intentions in the text, to elevate a missing “other,” to have a dialogue with the author, to imagine an alternative history, etc).
  • Erase the Patriarchy will also consider submissions of essays on the historical erasure of marginalized people.

All submissions should be sent (in either Word or PDF format) to

Author rights for this anthology are continuous and non-exclusive, so authors have the right to publish their work elsewhere and submissions can be previously published. University of Hell Press retains the right to re-publish the work in future editions of the anthology only.

The deadline for submissions is February 14, 2019.

Happy erasing!

Interview: Vol. 1 Brooklyn

I was interviewed by Joanna Valente, along with Alexis Smithers, Lynn Melnick, Claudia Cortese, and Jason Phoebe Rusch, for Vol. 1 Brooklyn.

How were you able to write about your experience(s), and negotiate between empowering yourself and not exploiting your own experiences?

I don’t traffic in the details of my abuse. I find some way to communicate the feelings attached to them, the ghosts they leave behind, without sharing those details that are often demanded but are unnecessary to actually understanding what trauma is: a haunting. If we think of trauma this way, as a unique relationship between an entity and the building where the trauma occurred and still resides, then we understand that our bodies are the buildings and our traumas are the ghosts, and nobody else needs to know what the unfinished business is or help solve the mystery. There is no resolution to this kind of haunting. There is no exposition either. The ghost’s back story is fragmented and nobody else’s business. What is important is what is being communicated: the haunting. I am haunted and I want you to know, but also even ghosts still have boundaries.

Award Nomination: Best of the Net 2017

I found out yesterday that my poem “Being Ready,” which appeared in Fuck Art, Let’s Dance #14, has been nominated by Nostrovia! Press for the 2017 Best of the Net anthology. Thanks so much to Christopher Morgan and Jeremiah Walton for believing in my work.

My dead child is genderless, like me. You paced outside the bathroom door 
saying something about not being ready, while I peed onto a stick and tuned
you out. No one is ever ready, I think. We are not batteries.  And what is pregnancy 
to me but being consumed by the dreams of some other machine?

Publications: Maudlin House & Entropy

My poems “Ceridwen” and “Rhiannon” were recently published in Maudlin House and Entropy respectively.

I don’t write poems. I make poets of men

-from “Ceridwen”

long life spent slung with men

while stolen child named golden marvel

this is the hand, the hand that takes

slow, still, out of reach

-from “Rhiannon”

Thanks to Mallory Smart and Ben Roylance for choosing my pieces. These poems are part of a five-piece set on the Welsh goddesses. You can read “Blodeuwedd” at Public Pool, and “Branwen” will appear in the “Resistance” issue of Jam Tarts in August. “Arianrhod” still seeks a forever home.